pigments - earths and natural pigments - COLOUR PIGMENTS

pigments

 pigments. Our natural ochres pigments and our natural earths pigments are all 100% natural and are extracted from different quarries in France, in particular in the Ardennes, Burgundy, Vaucluse but also in different countries such as Germany, Italy, and India. Depending on the region, we will have all different colors. They are extracted, washed, then dried, and if necessary, burned or calcined according to the color that one wishes to obtain, to finish finely crushed in order to obtain an impalpable powder of the order of 30 microns.

natural ochres and natural earths have the advantage of being able to be mixed together to obtain other colors because they are compatible with each other. they also have excellent opacity, great resistance to alkalis, such as lime paste, and great resistance to uv (insensitive).

They have the advantage of being compatible with all binders such as lime paste or powder or cement but also natural or synthetic oils, glues, gums and resins (gum arabic, shellac, rabbit skin glue, acrylic binder, linseed oil) and can be used in all techniques (oil, egg, casein, acrylic, skin glue, lime, plaster, fresco).

 
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titanium white pigment
titanium white pigment
in stock
titanium white pigment is a rutile oxide compatible with all binders such as lime, acrylic or vinyl binders, egg, skin glue, oil, gums, to give a luminous white, nevertheless the titanium white pigment cannot be used alone in flour paint, just to lighten another pigment. as flour paint contains iron sulphate and linseed oil which already have a tint, it will never be possible to obtain a clear white.
€3.50
dark yellow ocher pigment from Provence
dark yellow ocher pigment from Provence
in stock

dark yellow ocher pigment from Provence is extracted from an ore from the gargas quarry in the vaucluse. it is a 100% natural pigment which gives a very luminous yellow hue with a transparent binder and a slightly orangey yellow with a white-like binder. This pigment is compatible with all painting techniques (lime, casein, fresco, skin glue, shellac, flour paint, egg, acrylic, vinyl, potassium silicate etc). Its dosage varies according to the binders. For lime, plan a dosage of about 45% of the weight of lime before saturation.

€1.95
dark red ocher pigment from Provence
dark red ocher pigment from Provence
in stock

dark red ocher pigment from provence , extracted in the gargas quarry, is obtained by firing yellow ocher. This pigment is one of the most opaque, which is why it is often used in flour paint in order to protect the wood well. Its color is red, salmon depending on the binder used and the dosage. the red ocher pigment is compatible with all painting techniques (casein, flour paint for wood, fresco fresco, acrylic or vinyl, skin glue, egg, shellac, silicate, gum arabic).

€1.95
natural sienna pigment powder
natural sienna pigment
in stock
the natural sienna pigment of the Ardennes is a 100% natural earth and gives a sand yellow tint to your stone depending on the binder used. This pigment is compatible for all painting techniques, insensitive to uv and very covering, so it is perfect for flour painting. In lime one obtains saturation of approximately 40% of the weight of lime.
€2.30
calcined sienna pigment
calcined sienna pigment
in stock

the calcined sienna pigment from the Ardennes is obtained by firing natural sienna to give a reddish brown color. It is the iron oxide contained in natural sienna which, when cooking, gives this color. This pigment is compatible for all painting techniques and is ideal for flour painting for wood, because it is a very opaque pigment that will protect wood well.
€2.50
dark natural umber pigment
dark natural umber pigment
in stock
dark natural umber pigment is a mixture of sienna and black iron oxide which results in a greenish black taupe color. This pigment is compatible for all painting techniques and for all binders. A dosage in lime at 35% is the saturation limit. This pigment requires a drop of black soap and alcohol to promote its dispersion.
€2.00
anthracite pigment
anthracite pigment
in stock
the anthracite pigment is a mixture of slate and mineral black, 100% natural, who gives a primary sustained gray. This pigment can be used with all binders and gives beautiful shades in lime plasters. ideal for imitating marbles in stucco or tadelakt as well as frescoes
€2.40
rome black pigment
rome black pigment
in stock
the rome black pigment is an earthy lignite, giving a soft black to mouse-grey tint, slightly bluish depending on the binders and dilution. This natural earth used since antiquity can be used with all binders and in all techniques such as fresco, oil, gouache, watercolour, acrylic, lime, egg, casein. To be diluted according to the binders, saturation in lime at 25%.
€2.50
havana ochre pigment
havana ochre pigment
in stock
havana ochre pigment is made from natural iron oxides and ochres, in the south of france in the gargas quarry. this pigment is compatible with all painting techniques and can be mixed with all binders to give a warm and luminous light orange/red apricot colour depending on the colour of the binder and the fillers. It is the only orange hue of Vaucluse ochres.
€2.30
brown ocher pigment
brown ochre pigment
in stock

the brown ochre pigment is a mixture of ochres and iron oxides. Gives a brown / brown to beige tint with a white binder, hazelnut color used pure or with oil. This pigment is compatible for all painting techniques. Its saturation threshold is 35% of the weight of lime.
€2.00
natural slate pigment
natural slate pigment
in stock

the natural slate pigment is ground schist from the Ardennes. This pigment of a light light gray tint with very light water green reflections adapts well to plasters. It is a 100% natural pigment which is suitable for all binders except oil and flour paint, as it turns black on contact with fat.
€2.40
verone green earth pigment
verone green earth pigment
in stock

verone green earth pigment
verone green earth pigment is a 100% natural coloring earth from the verona region. It is purified, desiccated and ground by ball mills. Known since antiquity, it is sought after in the artistic fields and restoration. It is suitable for all painting techniques and in the fresco technique for the tracing of shadow marking.
€2.70